WEEK | TITLE | SYNOPSIS | INK Types |
---|---|---|---|
1119 | We want hue so bad | Invent a name for a color and describe it. | H |
186 | CALLING THE TOON | Who are these people? What are they doing? | H H |
128 | LIKE, DUH | Come up with snappy answers to stupid questions. | H |
125 | ASK BACKWARD VI | You are on "Jeopardy!" These are the answers. What are the questions? | 2 |
124 | SPOON-FEED US. | Come up with spoonerisms, expressions based on the transposition of the initial sounds of two paired words. | H |
117 | GIVE 'EM HELOISE | Come up with a tribute to Heloise, that queen of inanely creative recycling. | L |
113 | WHAT KIND OF FOAL AM I? | Take a list of horses nominated to the Triple Crown races this year, choose any two, and propose a name for their offspring. | 3 |
106 | DRAWING CONCLUSIONS | Who are these people, and what are they doing? | 5 |
102 | HELP! I'M A PRISONER IN THIS CONTEST | Come up with fortune cookie messages that you would love to see, but never will. | H |
96 | STICK IT IN YOUR ERA | Come up with a catch phrase for the 1990s. | H H |
93 | I WANT THE MONGOOSE | Tell us, in 50 words or fewer, why you must have this elegant piece of taxidermy featuring a snake being killed by a mongoose. | L |
85 | PLAY MYTHTY FOR ME | Come up with new urban myths, those vaguely believable, wildly paranoid stories that circulate by word of mouth until they are generally accepted as true. | H |
84 | THE WASHINGTON IRVINGS | Come up with creative names for the high school football teams of real towns in America. | H |
81 | HEADS, YOU LOSE | Take any two or more headlines anywhere in today's Washington Post, and combine them to make a funnier headline. | H |
77 | THE RORSCHACH OF THE CROWD II | What do these ink blots mean? | H |
76 | ADIOS. | Tell us, in 40 words or fewer, what is great about August in Washington. It's August, and we're out of here. | H H |
75 | CURSES! | Come up with modern maledictions in the wise and entertaining Yiddish tradition. | L |
72 | OH, HELL | Come up with the perfect vision of Hell for a famous person, living or dead. | H |
56 | DO THE HOOKY POKEY | Come up with inventive ways to call in sick or otherwise persuade your employer you must miss a day. | H |
55 | ESCAPE CLAUSES | Send us self-serving moral loopholes through which the enterprising 1990s transgressor can crawl. | 2 |
53 | CRUEL FETE | Tell us how the Invitational has changed America. | R |
51 | CAPTION CRUNCH, VOL. II | Supply captions for any of these pictures. | H |
42 | HEY, IT COULD BE WORSE | There are worse things in life than the Washington Redskins. Just tell us what they are. | W |
39 | WAY OUTSIDE THE LINES | Name a new crayon color for the 1990s, with a description. | 3 |
37 | A STATE OF DISGRACE? | Propose any of the following for D.C.: A State Name, A State Flower, A State Bird, A State Slogan, A State Capital, A Governor, An Insulting State Joke. | H |
35 | LIGHT AT THE END? | Tell the federal government what it should do with the 14-mile-long, 15-foot-diameter sausage-shaped tunnel it dug near Waxahachie, Tex., for the Superconducting Super Collider project that was scrapped by Congress last week. | H H H H H |
34 | INSPECT A GADGET | What do these machines do? | 2 |
32 | FATAL ART ATTACK | In 50 words or fewer, describe a performance art concept that might get public funding. Winners will be audacious enough to seem like art, but pretentious enough to seem to have a social "message. | H |
31 | INVITATION TO A DUAL | Divide the world into two types of people. | H |
30 | THE RORSCHACH OF THE CROWD | Interpret any of the provided ink blots. | H |
28 | MOTHERS-IN-LAW OF INVENTION | Propose some drastic change in government to help the economy or otherwise improve the quality of life in America. | H |
27 | IT'S THE EPONYMY, STUPID | Coin an eponym, a word or figure of speech based on the name of a famous person. You must define the word, and, if you wish, use it in a sentence. | H |
25 | CAPTION CRUNCH | Write a caption for any of these photos. | H |
23 | HAPPY ENDINGS | Modernize an old quote or expression by altering its ending. | L 1 |